Women In Film + Television Vancouver’s (WIFTV) is delighted to announce the 2016 From Our Dark Side Genre Concept Competition and Mentorship winners!
The competition closed submissions on January 4th, 2016 with over 150 entries from across the country. Once again, women writers sent a powerful message that there is a large, untapped talent pool in Canada and a desire for more female-driven genre stories on our screens.
“We are very happy to be a part of this innovative initiative,” said Melissa Kajpust, Head of Creative Development for Super Channel. “We strongly support projects that advance the voices of women filmmakers in the industry and genre films are something we embrace on Super Channel, so this competition is a perfect fit.” Continue reading →
In German folklore, the forest is a breeding ground for miracles, mysteries and the supernatural. Paying homage to the Black Forest of the Brothers Grimm, Kinderwald creates an ethereal, isolated and atmospheric woodland world of 1854 Pennsylvania.
Despite its apparent seclusion, this forest teems with characters of dubious, if not outright malevolent intent. The only exceptions seem to be the hardworking John Linden (Frank Brückner, who also co-wrote the script) , his dead brother’s wife, pious Flora (Emily Behr) and her two sons (Leo and Louie Fischer-Pasternak). Not long after settling in, the Linden children wander away, leaving their mother and uncle to endure a trial of faith through a dark and tumultuous fairy tale. Continue reading →
The Vancouver International Women in Film Festival is grateful for the ongoing support of the UBC Creative Writing Program. Once again, in a show of generous support for the development of screenwriting in the Vancouver community, the UBC Creative Writing Program is sponsoring and presenting the UBC Creative Writing Award to the winner of this year’s International Screenwriting Competition. Continue reading →
Café Derby invites you to take a look into the life of Georges: a man of the people with a big heart and even bigger dreams. When he mans his stall at the local market, it is crowded with people hanging off his every word. He knows which customers will buy what, how to make the pitch, and when to close the deal. With a family of five to feed, Georges is constantly on the lookout for the next big business venture. As far as his youngest daughter Sara is concerned, her father is the king of the world. Continue reading →
The Chicken, by Writer/Director Una Gunjak, is a uniquely intense, yet very moving film, which takes the viewers back in time to 1993, to a volatile setting they might be unfamiliar with: the Bosnian War. Continue reading →
Once a month Vancouver filmmakers gather at the Film & Media Showcase to watch a selection of short and feature-length films in a casual and supportive environment. Co-hosted by three artist-focused British Columbia organizations – Women in Film + Television Vancouver, Cineworks and DOC BC – the event offers filmmakers an opportunity to screen their work and discuss their creative process – both successes and challenges.
Last summer, WIFTV selected my short documentary One Step at a Time: A Story About Women and Shoes for screening at the showcase. The film, a portrait of four young women in Toronto and Vancouver who are embarking on unconventional careers in the traditionally male-dominated fields of cobbling and shoemaking, was decidedly in rough-cut stage. Continue reading →
Tinatin Kajrishvili’s first feature film, Brides (Patardzlebi, Georgia, 2014) is an unusual and unpredictable story of a limitless love in an unforgiving world. The film challenges the strength and survival of passionate love between Nusta (Mari Kitia), a young Georgian mother, and her husband Goga (Giorgi Maskharashvili), a man carrying out his seven-year prison sentence in Tbilisi. Their relationship is put to a test when Nutsa realizes Goga is not the only one trapped in a box. Nutsa is forced to push the boundaries of her commitment to the man she loves, and must reconcile with the anguish of waiting in the unknown. Continue reading →
Megan Riakos’ First Feature Pairs Wine and Death on an Australian Vineyard
Bravo to Australian filmmaker Megan Riakos for writing and directing her first feature-length film. I would say this sits cosily in the suspense drama category, but offers enough mystery that it provides the element of surprise along with a good story to keep you engaged.
Set in the Mudgee region of New South Wales in Australia, this story takes place at the Burrundulla Winery, which has been run by the Rose family for 127 years. Daughter Ellia returns home after the death of her father, having left abruptly 2 years earlier after the sudden death of her brother. The return home opens up family wounds which Ellia, her sister Harriet, brother Zac and Mother Sophie have not dealt with. Because Ellia has been estranged, she did…