Opening Night & Beyond: an Introduction to VIWIFF 2018

Cinema is multi-faceted and varied in its expression—thank goodness. If not for the compassion and insight of filmmakers from all political and cultural experience, much of the world’s creative spheres would be unknown to those outside of them. It is an honour to be able to peek into the lives of beautiful, strange, troubled, joyous, and extraordinary people; to whom we are introduced by skilled and singular filmmakers.

This year’s Vancouver International Women in Film Festival (#VIWIFF) will be an excellent opportunity to reach out and metaphorically shake the hands of people all across the globe, and revel in their remarkable presence onscreen. In fact, it will be such a gathering of great minds and personalities, it may become a bit overwhelming. And so, here are a few suggestions, in case you’re unsure of where to start.

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“Dark Blue Girl” directed by Mascha Schilinski (Germany)

Where better to begin than opening night? Mascha Schilinski’s Dark Blue Girl is slotted to break the festival ice, on March 6th. This feature film from Germany has a surrealist bend, appropriately so; seven-year-old Luca is the film’s fiery lead (it’s dark blue girl), and the turmoil of her youth takes you in often bizarre directions. When Luca’s separated parents, Jimmy and Hannah, finally find a buyer for their holiday home on the Greek volcano island of Santorini, the disjointed family returns to the place where they split up two years ago. Suddenly, the young girl faces an emotional environment now much changed, as her mother and father reignite a dormant passion. The magic and intensity of childhood provide Dark Blue Girl’s through-line, as Luca’s viewpoint reveals the strange ties that bind people together, whether they like it or not.

Kis

“Kis” direced by Svetlana Bolycheva (Russia)

Speaking of strange ties, Kis, Svetlana Bolycheva’s short documentary, peeks into the delightfully intimate relationship between a Russian Orthodox priest and his cat. Priest Konstantin Michailov and his companion, Kis, get along as equals in a life of happy solitude, save for each others’ company. The two friends banter with one another, share meals together, and muse over the oddities of life, though only one speaks out loud. Perhaps strange is not quite the right word—remarkable should be used instead.

As a final addition to this list of must-see’s, may I suggest the festival’s program of local short films? Some gems include: Akashi, directed by Mayumi Yoshida, which examines the strength of family connections, as well as secrets: Jean Parsons & Jennifer Chiu’s Memory of the Peace, a close look at the intersecting lives of three people living with the reality of the impending Site C hydroelectric dam: Mental (Jax Smith), a fantastical interpretation of one woman’s insecurities and instabilities, as she fights to break through depression and anxiety’s formidable cycle: and Unintentional Mother, directed by Mary Galloway, which poignantly tells of a young Indigenous nanny’s struggle to decide between her responsibility to the little boy in her care and to the demands of her father.

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Clockwise from top left – Akashi (Mayumi Yoshida), Memory of the Peace (Jean Parsons and Jennifer Chiu), Mental (Jax Smith), & Unintentional Mother (Mary Galloway)

These are just a few of the many outstanding films screening at this year’s fest. Quick! Mark them down on your calendar! I’ll see you at the theatre, fellow film-lovers.

– Sarah Bakke, VIWIFF Blogger

Dark Blue Girl is screening at 7pm on Tuesday, March 6, 2018, followed by a Q&A with the filmmaker, Mascha Schilinski.

Kis is programmed with the feature-length documentary, In the Shade of the Apple Tree, at 8:30pm on Wednesday, March 7, 2018.

Mental is screening in the From Haunting to Horrific block with many other local short films at 5pm on Friday, March 9th.

Memory of the Peace is screening in the High Stakes Block at 3:15pm on Saturday, March 10, 2018

Akashi & Unintentional Mother are screening in our Family & Friendship block at 4:15pm on Sunday, March 11, 2018.

For the full festival schedule, click here.

Sarah Bakke currently interns at WIFTV, where she gets to write all kinds of film-related material––a cinephile’s dream! When she’s not scribbling film notes or watching movies, Sarah can be found at The Cinematheque as a weekend theatre manager and online at SAD Magazine, in her role as web editor.

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