Adam Brooks began his career as a figurative oil painter, exhibiting at The Winnipeg Art Gallery before founding the filmmaking collective Astron-6 in 2007 with four other filmmakers, Jeremy Gillespie,Matthew Kennedy, Conor Sweeney and Steven Kostanski. Astron-6 produced a collection of short films before breaking into feature films with the sci-fi/horror-comedy Manborg in 2011, followed by the grindhouse/revenge satire Father’s Day. His most recent film The Editor, an absurdist take on the giallo genre, premiered at The Toronto International Film Festival before touring the world and winning a handful of awards along the way.
Women in Film and Television Vancouver is delighted to announce Karen Walton has joined the mentor pool of the #FromOurDarkSide genre lab!
Karen Walton is a critically acclaimed screen and television writer-producer, whose genre work includes the cult classic horror, Ginger Snaps and writing for the first two seasons of the hit sci-fi series, Orphan Black. A graduate of the Canadian Film Centre, her trophy collection includes a Canadian Comedy Award for Pretty Funny Screenplay, Canadian Screen Awards for Best Dramatic Series and Best Writing in a Television Movie or Miniseries. She was recently named the 2016 Margaret Collier Award winner for her outstanding body of work as a writer by the Academy of Canadian Cinema and Television.
A creative strategist who excels at working interdependently with filmmakers, Marina Cordoni‘s experience spans two decades of high-level international sales, including rights negotiations with content buyers; from theatrical, broadcast and digital platforms, to working with film financiers, government agencies, and sponsorship investors. At her company MCE Inc, she focuses on providing development, production and sales agency services to the independent film community.
Marina’s most recent Executive Producer credits include Jason Priestley’s feature directorial debut: Cas and Dylan (starring Richard Dreyfuss and Tatiana Maslany) the critically acclaimed genre films Antisocial and Antisocial 2. She is currently developing the sci-fi film South of Hope Street (directed by Jane Spencer, with whom she previously worked on The Ninth Cloud) and in post-production of the dark thriller The Bequest (directed by Jeff Kopas) and the comedy First Round Down (directed by Brett M. Butler and Jason G. Butler). Continue reading →
“This is my advice, two easy steps: Before you cast, go through names and make them female to really see which characters need to be men. Then the crowd scenes, make those half female. Just by doing those two things, you have more nonstereotypical characters.” – Geena Davis on how to address gender inequality in Hollywood
We love this quote from Geena Davis and her ongoing pursuit of supporting more gender balance in the media industry. Re-examining all characters and stereotypes from a gender perspective is a great place to begin. Continue reading →
The From Our Dark Side Genre Concept Competition closed submissions on January 16 and we were blown away by the response. Over 250 entries from across the country. Women clearly have stories they want to tell and voices they want to be heard. Continue reading →
A few weeks ago, we took a look at the long history of women in horror. Today, we look at women’s past (and present) in the speculative fiction genres of science fiction and fantasy.
Our Speculative Roots
Our relationship with these stories goes back, once again, to Mary Shelley’s Frankenstein and beyond. Whether writing as themselves or often under pseudonyms, women have been there from the beginning. Virginia Woolf wrote fantastical sci-fi under the nom de plume E.V. Odle including the works The Puppeteer God (an influence for The Matrix) and The Houyhnhnm (an inspiration for The Planet of the Apes). Other notable early foremothers include Gertrude Bennet who wrote as Francis Stevens and is seen as the inventor of “dark fantasy,” Continue reading →
Amanda Tapping is best known for her role as Colonel Samantha Carter on Stargate SG-1. She went on to produce, direct and star in Sanctuary, which lasted for 4 seasons and is seen in over 170 countries. She continues to act in film and television, but has been spending the majority of her time directing for such shows as Continuum, Primeval: New World, Arctic Air, Strange Empire and Olympus.
She proudly sits on The Directors Guild of Canada’s Directors Advisory Committee and Women in Film and Televisions Advocacy Committee. She also runs the non-for-profit Sanctuary for Kids. Continue reading →