From Our Dark Side Announces 2016 Winners

DarkSide-website_0000_headerWomen In Film + Television Vancouver’s (WIFTV) is delighted to announce the 2016 From Our Dark Side Genre Concept Competition and Mentorship winners!

The competition closed submissions on January 4th, 2016 with over 150 entries from across the country. Once again, women writers sent a powerful message that there is a large, untapped talent pool in Canada and a desire for more female-driven genre stories on our screens.

“We are very happy to be a part of this innovative initiative,” said Melissa Kajpust, Head of Creative Development for Super Channel. “We strongly support projects that advance the voices of women filmmakers in the industry and genre films are something we embrace on Super Channel, so this competition is a perfect fit.” Continue reading

Meet Astron-6 member, filmmaker and #FromOurDarkSide mentor Adam Brooks

Adam BrooksAdam Brooks began his career as a figurative oil painter, exhibiting at The Winnipeg Art Gallery before founding the filmmaking collective Astron-6 in 2007 with four other filmmakers, Jeremy Gillespie, Matthew Kennedy, Conor Sweeney and Steven Kostanski. Astron-6 produced a collection of short films before breaking into feature films with the sci-fi/horror-comedy Manborg in 2011, followed by the grindhouse/revenge satire Father’s Day. His most recent film The Editor, an absurdist take on the giallo genre, premiered at The Toronto International Film Festival before touring the world and winning a handful of awards along the way.

But what is Astron-6? Continue reading

Festival programmer, film critic Shelagh Rowan-Legg about the turning tide for women working in genre

Rowan-Legg passportMy love of genre cinema began early, between my mother’s love of Mad Max and my father’s of Star Trek. My interest in genre cinema led me to take an MA in film studies at University of Toronto. At the same time, I became the Operations Director at Toronto After Dark Film Festival. As I worked as a theatre rep at other films festivals, I found that I was often suggesting films for consideration to the TAD director. Eventually, I asked him if I could also be an official programmer. It took some convincing, but after I showed my merit through several of my selections winning audience awards, I began to travel to other festivals to scout for films. Meanwhile, I continued in my academic studies. I moved to the UK to study Spanish fantastic film. Currently, I’m working on a book based on my research, and am the shorts programmer for Film4 FrightFest in London.  Continue reading